INCOGNEGRO


“I pitched the story of a mystery based around a Walter White type brother who pretends to be caucasian to investigate black lynchings in the American deep south. They went for it, and bought the movie rights as well. The gifted Warren Pleece is illustrating, and it will hit next year. My cousin Ben Karp and I used to talk about going “incognegro” growing up, or passing, and I always joked that Incognegro would be my breakthrough bestseller (some people think I look like a caucasian, but I am a biracial African American). The graphic form let me tell the tale in an interesting way without doing a stupid commercially driven novel.”

Written by Mat Johnson; Art by Warren Pleece; Cover by Stephen John Philips

Writer Mat Johnson (HELLBLAZER: PAPA MIDNITE), winner of the prestigious Hurston-Wright Legacy Award for fiction, constructs a fearless graphic novel that is both a page-turning mystery and a disturbing exploration of race and self-image in America, masterfully illustrated with rich period detail by Wareen Pleece (THE INVISIBLES, HELLBLAZER).

In the early 20th Century, when lynchings were commonplace throughout the American South, a few courageous reporters from the North risked their lives to expose these atrocities. They were African-American men who, due to their light skin color, could “pass” among the white folks. They called this dangerous assignment going “incognegro.”

Zane Pinchback, a reporter for the New York-based New Holland Herald barely escapes with his life after his latest “incognegro” story goes bad. But when he returns to the sanctuary of Harlem, he’s sent to investigate the arrest of his own brother, charged with the brutal murder of a white woman in Mississippi.

With a lynch mob already swarming, Zane must stay “incognegro” long enough to uncover the truth behind the murder in order to save his brother — and himself. He finds that the answers are buried beneath layers of shifting identities, forbidden passions and secrets that run far deeper than skin color.

Click here for Mat Johnson’s interview

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