Three years ago at the bi-annual conference for the Society for the Study of Southern Literature, Brannon Costello and I began considering the possibilities of the question:how do comics represent the South? To what extent do comics creators wrestle with what Scott Romine calls the “qualitative geography” of the region, that elusive sense of place and specter of history that shadows nearly every author, poet, or artist whose creative aspirations wander below the Mason-Dixon line?
A. J. Harper 